Adobe After Effects Pro 6.0

Adobe welcomes Final Cut Pro users with open arms

I don’t get it… In what way does Premiere not work? You can drop R3D, DSLR and compact AVCHD into one timeline in Premiere CS5.5 and edit natively. Even 5K RED files. You can’t do that in any version of FCP. Everyone has their own workflow preferences, but saying Premiere ‘doesn’t work’? It was true a fair few versions back, but now…

Sure. If Premiere Pro worked as well for them as Final Cut Pro 7 worked wouldn’t they have already been using it instead?

But somehow, the existence of Final Cut Pro X made them spend money to cross-grade rather than simply sitting where they were using Final Cut Pro 7. Adobe’s relying on users reacting emotionally based on a ridiculous feeling of personal betrayal.

Yeah, that’s weird?  Virtually everyone uses Adobe products (Photoshop, After Effects…), I’m not sure what “fed from their necks” means?

I prefer FCP7, to FCPX and Avid and Premiere, but am looking at Premiere now and do use Avid.  I will be testing with FCPX, but don’t expect it to be usable for a year, or two, or never.

You are clearly out of your depth analyzing why the pro market is jumping ship, and it’s not because of emotions or fear of ‘the future of editing’ (it still only edits, it’s not that unique).

First, FCP 7 was end of lined, no more copies can be purchased. You can no longer stick with FCP 7 and expand. So take a FCP house like Bunim-Murray. They get a new show, they have to add ten to fifteen new seats. Normally, they would buy new copies, because you need unique serials on each machine, blah blah blah. Now they can’t do that. (I can’t vouch that’s their exact workflow, but I’ve heard rumblings they’re dumping FCP).

Second, if EDL, OMF, XML, or telecine mean nothing to you, you’re an amateur. No one in the professional realm is an island. Theres a reason colorists and sound mixers exist outside of editors.

Third, tape is not dead. At all. Go to any network QC and ask them about delivering tapeless. They’ll tell you all about D5 (and put a cherry on top with their requests of masters).

Fourth, it is a whole new program. New shortcuts, new workflows, new bugs. That means tons of retraining just if you stick with the FCP brand. That means tons of money. Switching to FCPX is no different at this point than switching to Adobe (or far more likely) Avid.

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